During a revealing interview, the acclaimed performer delves on topics ranging from her latest role as Queen of the Cuttlefish to the invaluable wisdom gleaned from onstage mishaps and fan interactions.
Your latest character portrays the monarch of the cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would it be and why?
Straight away, that particular fish residing near Clovelly beach â because itâs a local landmark, and people go there to see it. I just think as remarkable that a resident aquatic creature that people actually go and see and discuss â it holds a unique status.
What film do you repeatedly watch, and why?
Ernst Lubitsch's 1942 comedy To Be Or Not To Be. I love this film. When I was growing up, it would air on the ABC every now and again, and once I videotaped it. I found it was hilarious. It stars the legendary Carole Lombard and Jack Benny. Recently they were showing it at the Ritz and it turned out that it was the preferred movie of an acquaintance, and so we attended and simply chuckled and laughed. Itâs such masterful work of comedy and all the actors in it are fantastic. Mel Brooks did a remake in the 1980s â which was not as effective. But the original film is a brilliant comedy, worth viewing regularly.
What is the most valuable lesson you took away from someone youâve worked with?
I was doing A Dollâs House with Pete â my husband now, but back then we were not a couple. We portrayed characters as scene partners and on opening night I stumbled â I jumped ahead a few lines in the script. I was unaware what Iâd done but I suddenly realised something wasnât right. I remember looking at him, and he expertly rescued the moment, and then our performance took off again and went really, really well. However, I believe what I learned then was, firstly, consistently rely on the individuals youâre working with. When you lose your place, if you turn around and look at the people youâre with, you will find where youâre meant to be in some way. It is a profoundly communal thing, performing live. And secondly, just to have a sense of fun regarding it. Occasionally when a mistake occurs, things actually spark off in a wonderfully positive way if youâre really present in that moment. It can be a gift when things go absolutely the wrong way.
Can you describe your most memorable encounter with a fan?
There isn't just one specific meeting but when I encounter devotees of Lord of the Rings, particularly women, I am told numerous stories about what Eowyn meant to them when they were growing up ⊠events that occurred in their lives and how much that character meant to them and was a form of support to them during those periods.
Which questions get asked most frequently by Lord of the Rings fans?
The most detailed inquiry concerns always about that infamous meal that Eowyn serves Aragorn. âDid that stew taste as terrible as it looked?â Itâs become a running gag, the entire episode about the stew, and all fans wish to know the contents of the pot, and its preparation method, and in your opinion her skills improved now, or do you think she really is a bad cook? People are, I think, fascinated by the humour of that scene. And I go into great detail describing the ingredients that constituted the concoction â because I remember what they did; such as adding pieces of colored thread to make it look like bits of veins in the meat. The crew employed extreme measures to render it as unappetizing as they could.
Whatâs been your most embarrassing celebrity encounter?
I attended a pilates class and there was a woman on a mat doing pilates, and the instructor remarked, âOh, Miranda, this is Miranda.â And I attempted a lighthearted remark inquiring, âmight you be a journalist?â Because itâs an uncommon moniker and often when someoneâs a Miranda, they work in media. I hadn't properly identified her. And as she rose, it was Miranda Richardson. At that point, I was at a loss for words. I still had to complete my class, and I felt intense awkwardness. I wished to explain: âGoodness, I am aware of who you are!â I think sheâs so fabulous and I was simply too awestruck to utter a syllable.
Articles have repeatedly stated that you were given your name from Prosperoâs daughter in Shakespeareâs The Tempest, and yet Iâve read stating otherwise â can you clarify this definitively?
Yes â I was named after a district in Sydney. My mother heard on the radio that they were opening a shopping centre at Miranda, and she thought sounded like a nice name.
Whatâs the most chaotic thing thatâs ever happened on set?
When I was working in Brazil on Reaching for the Moon that was the least organized set of my career, and yet the film emerged incredibly well. But the local crew operated in such a different way. Their concept of time there is really different. Typically, you normally have a schedule and you have to be on set punctually. But this was rather flexible â one would appear at one's convenience. It was a really different way of working for me. The elements were being assembled at the final moment, and at times they wouldnât know the next location the next day how we were going to do it. And then youâd be in during a scene and wondering, âWhat was that noise that just interrupted the scene? Oh, itâs the producer popping open a bottle on set, because heâs making a party.â The result was great, but wow, itâs a distinct style of film-making.
What are you secretly good at?
I naturally possess an aptitude for numbers. I retain numbers easier than I learn dialogue often, I simply have that kind of a brain. So I believe if I hadnât pursued acting, I likely might have worked in something to do with numbers, like mathematics or finance.
Whatâs the best piece of advice you have ever received?
When I was in high school, someone addressed us when we were graduating and stated, âhave no fear to failâ ⊠an idea I consider is supremely valuable counsel, since one gains so much more from setbacks than you learn from success. With success, you never really understand precisely why it happened. Failure, you learn so much more.
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